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How Selfies Now Dictate The Way We Experience The World

What do a gym locker room, an upscale restaurant, your grandmother's tombstone and Chernobyl have in common?

I'll take “Places Where I Can Take Selfies” for $400, Alex.

The selfie phenomenon has grown to epic proportions over the past few years.

People of all ages feel the need to document every waking moment of their lives in photo.

Having a night on the town with the girls at that swanky nightclub? Take a selfie. Want to show off your new “Get Swole” t-shirt in between sets of bicep curls at the gym? That calls for a selfie.

How else can you convey your esoteric, pseudo-intellectual tastes than to pose for a selfie at Barnes & Noble with a copy of “Crime and Punishment,” even if you don't actually buy it?

In case you were wondering, someone even snapped a selfie at the aforementioned Chernobyl, the site of one of history's most catastrophic nuclear accidents.

As a matter of fact, the Chernobyl selfie, along with others, comprises an entire blog. Many of these photos would best be suited as Christian rock album covers.

The selfie, and our culture's predilection for visual mediums in general, has ushered in a new sub-population that, according to The Guardian, is deemed the “Snapchat Generation.”

This generation reportedly ranges between 21 and 30 years of age, and has an affinity for photographing themselves repeatedly.

But before this piece turns into another finger-wagging, excoriating admonishment of today's youth, I would be remiss to exclude the fact Millennials aren't the only ones snapping pics of themselves, doing everything from eating cake to taking a sh*t (or a “shelfie,” as it is affectionately known).

Americans reportedly take more pictures every two minutes than were taken worldwide in the past century.

Moreover, 1 trillion photographs were taken in 2014 alone, which is more than a quarter of all previously existing photos.

Granted, not all of these photos were specifically selfies.

Still, you don't have to be a mathematician to know 1 trillion sounds like a hell of a lot of photos.

You don't have to be a social scientist to recognize the potential repercussions that selfies have on our culture.

To best illustrate the last point, I turn to Karl Marx.

Aside from his contributions to communist theory and hipster beard trends, he had some other interesting insights.

He once wrote, “As individuals express their life, so they are.”

If I may extend this a bit further, the way in which an entire culture expresses itself comes to define it, and selfies and other visual mediums are potent reflections of our culture.

First and foremost, selfies encourage us to live in constant need of validation from others.

If the adage about the medium being the message is true, then what kind of message does a selfie deliver to its viewer?

For starters, it encourages us to exercise every aspect of our existence, from the most private moments to the most mundane, in an online, public forum.

It is as if we constantly seek vindication, and moreover, we feel like every moment of our lives needs to be watched.

It is as if we exist only if others are around to see it, or to endorse our behavior with the touch of the “like” button.

Second, the selfie, like most of today's media, encourages us to communicate in a purely visual manner.

This has important implications on how we process and analyze information.

Media critics like Neil Postman have argued that a society dominated by visual mediums tends to lack the critical thinking and analytic skills inherent to a print-based culture.

Pictures, unlike text, encourage quick, fleeting judgment.

But in the past, when Americans were more literate and actually — you know —  read, a print-dominated culture existed, wherein folks were able to think critically and logically.

Moreover, literacy inevitably spawns ideas. They may be trivial ideas, but they are still ideas.

This is not to say images cannot inspire ideas, for some of the greatest paintings and photographs in the world can and have engendered critical thought.

But realistically, how often do you stop and think about a selfie or some random image on an Instagram post?

Beyond that, does a single image even hold our attention long enough these days to warrant such analysis?

There is a greater likelihood of Kanye West actually not being a douchebag than there is of a selfie inspiring any serious dialogue or intellectual curiosity.

The problem herein lays not within the selfie itself, but the selfie's replacement of language and literacy in the public forum, which in our case, is the social media arena.

People communicate through images as opposed to language, and there is much to be lost because of this, including verbal abstraction, problem-solving, reasoning and critical thinking skills.

In form, selfies also demand nothing of coherence or context.

Weddings, birthdays, breakfast at the diner or even a visit to Chernobyl are random strings of virtual fabric that weave no tapestry.

There is no cohesion.

Because our minds are growing increasingly accustomed to processing information devoid of context, it could very well spill over into how human beings interact with and experience reality.

Ever wonder why so many people can't hold decent conversations these days, or why, even when conversing, the dialogue tends to meander, lack order and jump from one utterly random topic to the next?

Our thoughts and our language itself are being systematically altered, and possibly even dismantled, by the way we are directed to think in a visual culture.

In light of this, how exactly can we change course?

It's ostensibly not pragmatic to think we can simply return to a time when print and literacy were dominant communication tools, or to ask the Snapchatters to suddenly soliloquize what they are quite used to expressing in photos (imagine describing a penis versus sending a dick pic).

However, we can become cognizant of not letting visual culture interfere with our other modes of communication or reasoning.

We can also try to actually experience reality without creating a virtual effigy for the sole purpose of seeking validation from others.

We can go back to a time when the sanctity of human experiences (even wiping our own asses) was still intact.

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Thomas Caramanno

Contributor

Before the the hipsters and coffee shops pervaded the neighborhood; before it became a haven for starving artists; before every block was systematically lined with a sushi bar, Astoria, New York was the birth place of Thomas Caramanno. Thomas g ...
Before the the hipsters and coffee shops pervaded the neighborhood; before it became a haven for starving artists; before every block was systematically lined with a sushi bar, Astoria, New York was the birth place of Thomas Caramanno. Thomas g ...

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